~X1;Y1;
L0,0;*V3.LIN;
L-450,120;
M1NGB25;
FCA~L-450,90;
FCM~L-450,60;
FCP~L-450,30;
FCL~L-450,00;
FCI~L-450,-30;
FCT~L-450,-60;
FCU~L-450,-90;
FCD~L-450,-120;
FCE~L-100,-400;
FCHARMONIC NUMBER~L-550,-550;
FAFigure 3.~L-400,-550;
F1Average line-spectrum of the preceding violin tone, for a time segment~L-400,-580;
F1of about two milliseconds,  which occurs about half way through the note.~L-400,-610;
F1(abscissa=harmonic number, ordinate=relative amplitude)  This is but one~L-400,-640;
F1of a number of sequential plots which, with (on-line) computer animation,~L-400,-670;
F1display the changing amplitudes of the harmonics of a tone through time.~L-10,1000;FA16c~